"At least until all this science starts to fog up our mental windshields and we, the people, start to wear out. Our irritability mounts; our attention wanes; the guide-rope in our mouth starts to chafe. It is then that the bawdy obstreperousness and its odd twin, the glory hallelujah, of democracy come into view — a single unit; maddening, infuriating, nevertheless fused. And Greg Abbott or someone else steps up to lead the beast forward, by instinct if not by Hoyle... The love of democratic citizens for experts shouldn’t be overestimated. The nature of democracy is preference for or deference to popular wisdom, however unwise that wisdom may prove in action. It’s been a long time since this pandemic started. People are tired. People want to see, and relate to, each other. That’s human nature. The human nature-affirmers like Greg Abbott, with a little luck and sense of timing, are likely to come out way ahead of their castigators and vilifiers, Robert Francis (Beto) O’Rourke conspicuously included."
Writes William Murchison in "Glory Hallelujah for Texas!/Gov. Greg Abbott takes a calculated gamble on we, the people against the experts" (The Spectator).
The Spectator is British, but Murchison is American. He even went to the University of Texas. I had to look that up because the use of "glory hallelujah" hit my ear as a foreigner's mistake. To me, the phrase — which you see in the title and the text ("its odd twin, the glory hallelujah, of democracy") — is entirely evocative of "The Battle Hymn of the Republic," and Texas was in the Confederacy.
Puzzling, I ran across this 2018 NPR article, "How 'The Battle Hymn of the Republic' became an anthem for every cause":
There's an episode of The Johnny Cash Show from 1969 where the man himself makes a little speech with a pretty big error. "Here's a song that was reportedly sung by both sides in the Civil War," Cash says, guitar in hand, to kick off a performance of "The Battle Hymn of the Republic.... which proves to me that a song can belong to all of us."
Cash was wrong, but in the years after the Civil War, the song came to be sung in church, at football games, and at labor union events. And on all sorts of political occasions:
Anita Bryant, the singer and conservative activist, used to perform the song at anti-gay rallies. During the 1964 presidential race, Republican nominee Barry Goldwater had to disown a campaign film that posed the election as a choice between two Americas — an "ideal" America, where the tune of the "Battle Hymn" scored images of the founders and the Constitution, and a "nightmare" America, featuring black people protesting and kids dancing to rock music.
On the flipside, the day before he was killed in 1968, Martin Luther King Jr. made his famous "I've Been to the Mountaintop" speech, which he ended by quoting the song's first line: "Mine eyes have seen the glory of the coming of the Lord." His home church, Atlanta's Ebenezer Baptist, took up the song after his death as an anthem to him and the civil rights movement.
"How people relate to patriotism is kind of how they come into the 'Battle Hymn,' " says professor Brigitta Johnson, an ethnomusicologist at the University of South Carolina who teaches in the schools of Music and African-American Studies. "For example, your white nationalists digging deep into heavy patriotism messages — they bring up things like 'The Star-Spangled Banner' and the 'Battle Hymn' and it becomes their battle cry, just as easily as it could become the battle cry for Ebenezer in Atlanta."...
"The kumbaya moment will not be happening across the aisles because of this song," [Johnson] says, "because it's really about supporting whatever your perspective is — about freedom or liberation, and having God as the person who's ordaining what we're doing. And 'glory, hallelujah' about that."
As Johnny Cash said in 1969, "The Battle Hymn of the Republic" is an anthem that belongs to everybody. But what really matters is what they're singing it for.
That meshes well with Murchison's point about human nature and human nature-affirmers.